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| There are currently 2 news
articles about Laura Taylor for you to read here: |
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| SHOWBIZ | LAS VEGAS REVIEW-JOURNAL |
The following article is reproduced from SHOWBIZ
LOUNGE NOTE
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____________ By Bob Shemeligian
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Taylor is modest about her piano playing, but she really is a skilled pianist, which is evident by a wonderful solo she performs at the close of ‘‘Where or When’’ by Rogers and Hart. The New Haven, Conn., native also writes and performs her own compositions. One of her songs, ‘‘I Think I'm in Love,’’ was recorded by Diana Ross and earned Taylor three appearances on the ‘‘Merv Griffin Show.’’ When she's not performing, Taylor loves to ski and go horseback riding. She said she loves Las Vegas and especially enjoys performing in the Starlight Theatre with band members Rob Rozario on piano, Bob Sax on bass and Santo Savino on drums. ‘‘They are excellent musicians, and the theater itself is wonderful,’’ she said. ‘‘It doesn't have a bar inside and so the noise factor is more conducive to listening.’’ Laura Taylor performs Tuesday through Sunday in the Starlight Theatre. Show times are Tuesday 8 p.m. and 12:45 a.m.; Wednesday through Friday, 10 p.m., 1 and 2 a.m.; Saturday, 9 p.m., 1 and 2 a.m.; and Sunday, 9 and 10 p.m. and 2 a.m. |
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The following article is reproduced from LAS VEGAS REVIEW-JOURNAL
| Time stands still in the Desert Inn lounge | |||
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The
next time you hear someone complain that the Las Vegas lounge scene went
south sometime in the mid-60s, simply ship ’em to the Desert Inn. Time has almost stood still at the classy mid-Strip resort -- part of hotel CEO Burton Cohen’s project to recapture some of the glory of the vintage star era. Sinatra, Liza and Steve & Edie are among the star-policy headliners in the pretty Crystal Room showroom, with the Starlight Theater offering lesser names such as Buddy Greco and Sinatra in a comfy no-cover, no-minimum setting. That spells ‘‘lounge’’ in my book, a term hotel executives dislike because the ‘‘theater’’ is a cut or three above the Vegas norm. |
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The sounds emanating
from the Starlight are decidedly retro, taking customers on a journey into
the past when saloon standards and cocktail jazz were cutting edge. A recent visit . . . . . . . . . The pace picks up with classically trained soprano Taylor and her more aggressive trio of support musicians: pianist Bob Rozario and a punchy rhythm section of bassist Morrie Louden and first-rate drummer Santo Savino. Taylor has a pleasant presence and a voice to match - a clean, well-controlled instrument that works the upper-registers with ease and employs creative scat phrasings on familiar material such as ‘‘On Broadway’’ or a medley from ‘‘Oklahoma.’’ |
Taylor's stylized
singing presents her with plenty of challenges and she proved up to the task
during her 45-minute early set. She vamped to excellent effect over a
walking bass line that transformed ‘‘Surrey With the Fringe On Top’’ into a modern blues, and weathered the insipid lyrics of Michael Franks’ ‘‘Popsicle Toes’’ with no real damage. Taylor’s closing take on ‘‘Mountain Greenery’’ found her turning the song inside-out and making it her own, no mean feat when it comes to show standards, and further served notice that Taylor is a name to watch for. . . . . . |
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hexagon shaped room seats 209 customers in rattan-backed chairs under
subdued amber lights. Attentive servers shake drink orders at candle-lighted
tables. It’s a mellow scene made all the more so by a current line-up of singers Don Cherry and Laura Taylor with their respective bands, and headliner Buddy Greco and company. The trio of acts takes the stage at about 7 p.m. weeknights, 8 p.m. on weekends, and alternates sets until the wee hours nightly except Monday. Don’t expect to hear cover versions of the latest pop dross from the likes of Whitney Houston or Michael Bolton. |
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